![]() The inputs from the ADAT light pipe look, act, and are assigned like any other inputs (Fig. A quick look at the used market shows plenty of ways to add another 8 channels to your audio interface for a few hundred dollars, although this could also be a good reason to upgrade to a better interface, and use the older one as an expander.īecause the 1824c has an ADAT input, both interfaces show up in the Song Setup menu. And, you don’t need an interface with lots of bells and whistles-just 8 inputs, and an ADAT out. The interface being used as an “expander” doesn’t require a permanent USB connection to your computer (although you may need a temporary connection to change the interface’s default settings, if you can’t do that from the front panel). So, I can easily use a mix of ribbon, dynamic, and condenser mics with the 192, while leaving +48V off for the 1824c. This accommodates my gear without having to re-patch.Īnother advantage is that the Studio 192 has +48V available for individual mic inputs, whereas the 1824c’s +48V option is global for all inputs. The 1824c has one ADAT port for input and one for output, so patching one of the Studio 192’s optical outs to the 1824c’s optical in gave a total of 16 analog inputs. The 192 has two ADAT optical ports, so it can send/receive 16 channels at 44.1 or 48 kHz over a digital audio “light pipe” connection. I started with a PreSonus Studio 192 interface, graduated to a PreSonus 1824c, but kept the Studio 192 as an analog input expander. ![]() (At 88.2 or 96 kHz, you’re limited to 4 channels per port, and not all audio interfaces are compatible with higher sample rates for optical audio.) It’s especially appropriate if you record at 44.1 or 48 kHz, because then you can add another 8 inputs per ADAT optical port. This is my preferred solution, which works with both Mac and Windows. Another issue is needing to give up another USB port for the second interface, and besides, using different applets to control different interfaces can be a hassle. So, you may be stuck with the older (slooooow) drivers. The newer WASAPI drivers have latency that’s close to Core Audio, but aren’t widely supported. So, you need to use Windows’ native drivers. It’s easy to aggregate interfaces on the Mac using Core Audio, but with Windows, ASIO almost never works for this. We’re getting closer-simply add another interface to work alongside your existing one. A StudioLive will certainly do the job, but it could be overkill for a home studio, unless it’s also what you use for gigs.
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